Heilewelt - a blog for music lovers

Geschichten von der Heilewelt - a blog for music lovers

"It is wonderful to be able experience art without understanding how it was meant or what makes it good." (Kim Boekbinder said that during an interview I did with her) I might not have the biggest knowledge about music but I have a great passion for it. Passion is what counts.

I live in Berlin, Germany (born, raised and still resident) and this is my personal blog about music and other things that cross my way. Things I love to be exact. And even though I am German and my English is still not perfect, this blog is in English.

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Just a few weeks ago, I heard the first single of British artist Fable. She worked together with Danny Griffiths and Darius Keeler of my most beloved band Archive. She has a stunning voice. In combination with dark lyrics and Archives soundscapes, they create something she calls herself “progressive electro rock”.  

Yesterday she released the second single, “Stranger In My Head”, from her upcoming EP “Parasite” (13. October) - another very intense song, the words of the chorus “stab me before I change” and the synths keep echoing in my brain even when the song is already over. In parts the melody is disturbing and hypnotic.I love it. And even more members of the Archive collective played in this track: Pollard Berrier on guitar and Steve ‘Smiley’ Barnard on drums. 

I had the opportunity to send her some questions yesterday and here they are already. Let’s learn more about this young talent!


How did you start making music? In an interview you said “anything musical is either genetic or self-taught” - whose genes and what does /he/she or they think about your music today?

I’d say this is true for myself, obviously for each musician it’s different, I come from a music loving family and it’s surrounded me since I was born, and probably before that. I guess my parents always encouraged freedom of expression, they supported me in never settling for a career that’s anything less than creative. I was lucky enough to never experience the; ‘Get a proper job, you’re going to become a doctor’.. ‘But all I want to do is sing!’ argument.. I started gigging in my small home town when I was 11,  and from there I found my confidence, I started writing my own material when I was 14, played in a few bands, before moving to Brighton to find my musical identity.
How long did it take you to discover your own voice?

I think it’s forever evolving, I’ve sung a lot of different genres of music in the past, worked with producers and co-writers and taken inspiration from so many places, but I feel what I am writing now with Darius and Danny is a true reflection of my current state of mind.

How did you meet Danny and Darius? Did you know about Archive before?

I first met Danny in a pub in Brighton, it’s a small industry over here, he’s a friend of my managers. I’d listened to Archive before and found their music to have a uniqueness many bands from the UK don’t have, we got chatting and after a few writing session we had an EP finished - we’re in the process of finishing the full album at the moment.

When did you start working together and why?

We started working together just over a year ago, Archive are known for having a variety of vocalists featuring on their records, but to collaborate on an album with such an established band was a real honour. They’re so lovely to work with and I think its been refreshing for all of us to step out of our comfort zone and do something a bit crazy.

How big was their musical influence on the music when you wrote and recorded the music?

The songs definitely have Archive’s DNA running through them but with a touch of the theatrics, all three of us will bring a few ideas to a writing session that we’ve been working on and then we build the track together. Darius has such a good ear for arrangements, the soundscapes that Danny creates are other-worldly and I’m responsible for the lyrics and melody. 

“Stranger in my head” just needs very little words but still has a lot of power and is very intense and hypnotic. Is less sometimes more?

With “Stranger in my Head” I think less was more, we wanted to let it breath, let the synth give a feeling of space and let the melody carry the song, the lyrics have a lot of personal meaning for me. “

What inspires you for your songs?

I write from my experience of living in this civilisation (the human zoo), I like to confront ideas people avoid in conversation, like the conflicting aspects and the complexity of the human mind and how our awareness effects how we perceive our reality. 

You compare humans with parasites – that’s a pretty dark view of us at an age of only 19. Where does that view come from?

Not all humans, we are all individuals but as a whole I believe we’ve grown too comfortable with treating the Earth like it’s an endless pot from which we loot our endless needs and wants, not like the living organism it actually is. Most mammals reach an equilibrium with their environment but we have been hijacked by a mind programme. It is a dark view and of course ignorance is bliss, but it’s ignorance that has detached us from our own planet, our species is doomed if we don’t wake up from our material dream.

How is the music scene in Brighton?  

Thriving at the moment, there are some exciting bands coming out of here, the same goes for dance and electronic music, it’s great to be a part of it.

Thank you for your time, Fable.

 Here is a trailer for the upcoming EP “Parasite” (release due 13. October):

Have a good week,


As I said early this week: my inbox provided some gems. This band is well suited for a Friday night. Mirror Talk are a four piece band from L.A. who sent me their track “1977”. It’s electro pop with heavy new wave influences. The song made me think of a scene in one of my favourite movies of all time called “My Beautiful Laundrette” from 1985. At one point the main characters Johnny (Daniel Day-Lewis) and Omar (Gordon Warnecke) would be in a dark club dancing (and, well, selling drugs but that’s not the thing I thought about) and this song “1997” would just perfectly fit into this scene and in a dark 80’s dance club with a bit of a modern twist of course. Listening to it, I see girls with big hair and short black dress dancing to it. 

But if your look closer at the bands line up, it’s no surprise they sound “a bit” 80’s. Three out of four play a synthesiser and a second instrument: Steven Lopez plays some Guitar, Sean Krell Bass Guitar and Dave Lewis Percussion next to their synths. Just singer Court Alexander doesn’t add even more electronic sounds. 

"1997" is the first single and title track of Mirror Talks second EP which they recorded with Tony Hoffer (Depeche Mode, Beck, Air, M83 etc etc.). 

Have a listen and get properly pumped up for the weekend:

Have a good weekend and keep sending me your music - now also possible on https://fluence.io/Heilewelt,


It’s time for the third round of Music Submission Monday! Submit your music and I’ll listen to all of it and occasionally I’ll feature it (not every Monday but just when I found something interesting). So, this time I have found two very interesting acts. I’ll feature one today and the other one sometime this week.
The first one is already called “an insiders’ tip by music critics” here in Germany. Iggy and the German Kids is singer-songwriter Iggy Uriarte and production duo DTC productions (aka Hubertus Dahlem and Freddy Todenhofer) and are based in New York and Munich. The newest release “Mary Jane” fulfils everything a pop song needs: catchy melody, lyrics young people can relate to and it’s over the top. And of course a summery feel good vibe. Even though it sounds a bit artificial and you wish the German Kids were a band and not a production duo, I like it. It’s a song which drops right into the category “guilty pleasure”.

Have a good week and keep sending me your music - now also possible on https://fluence.io/Heilewelt,



Remember that awesome partly 50ies style video I shared with you a few days ago? Well, that band, Hostage Calm, will be tour through Europe with Man Overboard. And even more awesome: there is a free sampler to get you in the right mood for the concert. It can be downloaded over at Man Overboards website (and features Hostage Calm’s new single “Your Head/Your Heart”.

This information is brought to you by Dörte Heilewelt. 

Phone Joan - Ashes & Dust

Today I discovered Phone Joan, a Norwegian Rock band. Well, I have to add their nationality because a) you wouldn’t have guessed it from their sound and more importantly b) because of “Black Gold”, a song from their upcoming third album “Turning Pages”.It’s about the black gold aka oil. Well, it’s not the video above but below this text. So, why not feature it right away? Because I checked out more music from this band and stumbled over “Ashes & Dust” where I like Carina Moen’s voice a lot more. It’s a little less aggressive and a little bit more singing. And it’s a classic Rock hymn with ear worm quality. The video shows the band recording in the Sputnik Sound Studio, Nashville, TN. It’s actually exactly the take which made it onto the album.

For mixing, recording and production they worked with Vance Powell (Jack White, Raconteurs, White Stripes etc.) who asked them, not the other way round. The result is a rock album with “anger management” songs like “Black Oil” which need a certain volume to fully come to live. But there are also quieter moments on the album “Those Who Fade”…well, for half a song at least. This four piece certainly knows how to do a very good rock album. 

And here the video for “Black Gold” - a song about, you might have guessed it, Norwegian oil industry and what Phone Joan think about it: 

Thank you for reading,


Honig - Lemon Law

The song “Lemon Law” is taken from Honigs upcoming album ‘It’s Not A Hummingbird, It’s Your Father’s Ghost’, release due 22nd of August. Honig are a German folk band, formed around singer and guitarist Stefan Honig. I like one shot videos and this one is rather good. Today I’ll dream of having such a Saturday (like around minute 2:50, not walking around lonesome with an ukulele) instead of working for 7 hours. I hope you’ll have a  fabulous day. And if you are in Germany, Honig will be on tour in October (partly supported by Dad Rocks!).




30.09. Jena, Café Wagner
01.10. Leipzig, Werk 2
02.10. Dresden, Beatpol
03.10. Berlin, Privatclub
04.10. Husum, Speicher
05.10. UK-London, Notting Hill Arts Club
07.10. Stuttgart, 1210
08.10. Frankfurt, Ponyhof
09.10. Nürnberg, Club Stereo
10.10. Freiburg, Waldsee
11.10. Konstanz, Kulturladen
12.10. CH-Bern, Rössli Reitschule
14.10. AT-Wien, Chelsea
15.10. München, Ampere
16.10. Köln, Gebäude 9
17.10. Essen, Zeche Carl
18.10. Münster, Gleis 22
19.10. Hamburg, Knust

'Did this crappy day finally killed me? Did I end up in heaven for some reason?' Those were my first thought when all of a sudden an ocean of good looking, bearded men made their way through the audience. Then all of them entered the stage. Yes, this could be heaven but a heaven on earth. I didn't die, I just went to watch Acollective last night. The seven piece band from Tel Aviv squeezed themselves on the tiny stage of the Badeschiff in Berlin. On a sun deck without sun and with a bit of rain but ‘the rain makes the rainbow’ as their support, Hanna Leess, sang in one of her songs. Well, sun is also needed but with such an enthusiastic audience and such an happy band, you don’t need any real sun. The rainbow will come anyway, in your heart or something… does that even makes sense? I basically want to say it was a fucking awesome concert! One of the best of this year if not the best. I haven’t danced so much in a while. It was perfect.

Within what felt like 20 minutes, they played 16 songs and an encore and were actually about 90 minutes on stage. A balanced mix of new song from their new album “Pangaea” and the first one “Onwards”. For the first few songs I was almost wondering if they gave up swapping their instruments. But the longer they played, the more they changed where everyone was and what everyone played. Do they need a warm up for that? In the end it was a beautiful, loud mess. Especially during the two last songs: ‘Simon Says’ of the normal set and ‘Girls’ of the encore. Both of their first album ‘Onwards’.  Electronic devices were being removed in order to play on its stand with drum sticks and stuff like that. But I think my favourite moment of the whole evening was when they played ‘Happiest of all Memorial Days’. I love this song. 

It’s funny in a way: I heard many of their influences, I didn’t heard on the album. Not sure why but during the concert I heard elements of Hip Hip, Blues, Pop, most of all Rock and many other music styles. They are certainly louder and more of a rock band live. Many other things that happened during the concert are a bit blurry in my memory today but one thing remains: the feeling of absolute happiness and longing for their next concert. I can’t wait. 

Here are some mediocre photos which don’t show the awesomeness of the concert at all: 

Thanks for reading,


P.S. Just in case Roy Rieck is reading this: That guy I mentioned before the interview with the toys and stuff is called Sxip Shirey (listen: http://sxip.bandcamp.com/) :)

Hostage Calm - Your Head / Your Heart

"Hello Dörte, Hostage Calm are your cup of tea, right?" Right. Great video with a great Rock’n’Roll band shot in black and white in the best 60ies cliché look a like band I’ve seen in some time. The video, directed by Max Moore, is also a hint for some of there musical influences in this songs. You can find some pop melodies from that era within this song next to modern punk rock. The result: energetic, dancable music to clap along to. There will be an album called "Die On Stage" coming on 19th of September. I hope it’s anything like the first single! Then it’ll be great.

Have a good weekend,


Salvation Bill - FML

There is too much sun out there and I need some dark, even if it’s “just” dark humour. Luckily Ollie Thomas, the genius mind behind Salvation Bill, has written some more songs, recorded them and is ready to release them in form of an EP to the world later this year. The first single is “FML” (Feel My Lump) which is backed with “Tony Blair Extraordinaire”. Both show Ollie’s excellent song writing and story telling.   

The single will be released by the brand new Label Idiot King Recordings on the 28th of July on CD, digital and a Limited Edition CD with artwork by Theo Peters. A release show will be played on the 28th as well. 

Have a good one,