Another month is over and this means I have been to another Clusterfuck at White Trash Fast Food in Berlin. This time Elyas Kahn played two sets with “a band” and this was one of the best shows I have seen of him. He had two drummers on stage and just like everyone else who has been there I want him to have two drummers at every single show he plays from now on. I am not saying this because I love a lot of drums (and bass) in general. I just haven’t realized until this evening how much his music demands a lot of percussions. And he also had Peter D’Elia (The Beez) on Banjo and once on Bass when he swapped instruments with Elyas…well, actually Elyas played guitar most of the time, once banjo and then drums once as well and bass. And he had invited Chris Lastelle for bass. Eric Durso (Budzillus) who played more often with Elyas took over one of the drums and the other one was in the hands of Romain Vicente. Romain pretty much just moved to Berlin and Elyas and him had one rehearsal. It was amazing. I feel like repeating myself. I am not sure how often I have tried to put Elyas music and the way he sings in words and it feels like failing every single time. It feels like a fusion of his roots - New York, London and India or something like this. Maybe this helps:
And on Saturday I was at Erik Penny's Sofa Sessions - an slightly different environment but again friends sharing the “stage”. I think in UK everyone would call it a house show. Well, this time it was more about the wonderful Miss Kenichi and Earl Harvin. She makes beautiful sad music and has such a beautiful voice and plays guitar. And Earl plays a bit of drums, harmonica and such a little casio thing. What was the most fascinating for me was how Earl played. He played very gentle, he made this almost silent little sound to underline the mood. And then when he touched his instrument he always seemed to be so respectful to them. After they played I overheard* Katrin Hahner talking to others saying how she writes her music with space in it to leave room for the listener and also her band mates, just not to overload a song with lyrics. When I sat there on the couch, listening and watching her for the first time it felt like a perfect balance. And I remember to think of something thick like honey but warm during the concert.
Katrin Hahner studied stage acting and art, is doing exhibitions with her painting every once in a while and has already released two albums “Collision Time” and “Fox”. I think she is currently working on the third one. I need to get my hands on these and see Miss Kenichi again (which is not difficult because they are from Berlin and will play here in August again).
Erik played a few new songs before and after Miss Kenichi and that made me well excited about his new album even though he is still writing for it and we will have to wait quite a bit for it. He is a singer-songwriter and I think he is in this Americana genre. To make this waiting time shorter I bought his newest live album from last years sofa session. I have been at one of the dates and it was amazing. He played with his band (incl. cello), showed how awesome his music is and also how funny he is. I think the more often I see Erik the more I fall in love with his music. I am not sure when “Live at the Sofa Sessions” is going to be released officially (it should be soon) but I’m well happy to have a physical copy at home since it is going to be digitally release. The only problem is that I want to see Erik playing a full set again - missed a few opportunities in the last months (stupid me).
A photo from the first Sofa Session I have been to in August 2010:
Thank you for reading,
*For some strange reason I have been even more shy than usual and didn’t say much and I was just agreeing/listening.